Black and White and Red All Over

"To see in color is a delight for the eye but to see in black and white is a delight for the soul."        Andri Cauldwell

 
In my last blog post I mentioned a project I was working on which had slowed down the progress I am making on my Zenduo adventure. Well, it's finally finished and I'm back to share the process photos along with the final project.

We recently moved to a new house and I wanted to tangle something to hang on one of the walls. I bought a frame that is meant to hold 10 individual photos. My plan was to design a string that would run through all 10 spaces and then tangle 10 4x6 pieces that would form a cohesive whole. I liked the idea of the 10 separate parts so if I messed up one it wouldn't mean I needed to start the whole thing over. Amazingly enough I did not need to redo any of them!  

I decided to tangle on white Stonehenge paper. The decorating scheme in my house is black and white and gray, with red accents. The style is modern, which is probably evident from the colors. Goes great with Zentangle! So in the same way, my tangling would be black on white, gray (graphite) shading, and red accents. 

I cut out 10 pieces of the Stonehenge and laid them out the way the frame was designed. I had to tape them together so I could draw the string. Here are a few pictures of the string.

I tangled Gewurtz in the "pathway", and then some Sand Swirl and Munchin. I chose tangles that I not only liked, but felt very comfortable with so there was less chance of messing up.

Then I added Fassett, N'zeppel, and Tipple. I probably should mention that I did all my tangling with my new Micron PN pens, which I love. They have a sturdier plastic nib with the same great ink.

I continued with Beelight not in a grid, Printemps, and some more Fassett.

I completed the tangling with Diva Dance, Huggins, and some more Munchin and Tipple. I was waiting to add the red accents until after all the tangling, but I had to use it on the Diva Dance as I went along.

 
Then I went back and added some more red accents using a red Identipen since I found that to be a truer red than the Micron red pen.

And then the rest of the red that I wanted. The only section that I left without red accents was the N'zeppel.

Next was the task of shading, which took quite a bit of time. And finally...

That wasn't a great photo, so a couple of close-up shots so you can see it a little better, especially the shading.

Unfortunately you can't see the red at all in the Sand Swirl in that picture. I also took a photo at an angle so you can see that the frame is actually 3-D.

And after all that, I figured I should show you what it looks like on my wall. I'm really happy with the way it turned out and think it fits in very well with the rest of my decor. I was so relieved after all that work!

Now back to my other project...Zenduos.

 

The Magic of Color

"I never met a color I didn't like."    Dale Chihuly

A while back I downloaded a number of stock images online. I've tangled some of them, but others have been sitting around for a really long time. Here's one I decided to pull out and tackle today.

I love the bright colors in it and thought it would look nice if I used colored Microns to tangle this. I don't often use the colored pens, but there was one to match each of the colors (except yellow) in this design and I figured it was a great idea. A gray Copic multiliner was used to tangle those circles clinging to the outside of the big circle.

I really liked the way this was going until I got to the last part (isn't that the way it always goes?) which was the blue penned part in the top green circles. Definitely not my favorite part of this piece.

The shading was done with my pastel pencils, which I have in all the colors to match the pen colors. If I could cut out the top part of this I would be really happy with it!

 

New Alcohol Ink Zendala Tiles

"Life is a circle. The end of one journey is the beginning of the next."   
 Joseph M. Marshall

I love the black and white format of traditional Zentangle. The contrast of black and white is what really drew me to the Zentangle method in the first place. But, oh what fun color can be!

A few days ago I shared my new alcohol ink colored tiles made to create interesting backgrounds for your tangling. I'm back today to show you what I've done with some of the Zendala tiles. The first one is a pretty blue and white.

I decided to tangle with a blue Micron pen. I used a stencil made by Genevieve Crabe, which has lots of holes through which you mark dots, using them as a guide to create your own Zendala design. You can see these stencils here. My theme was triangles and I tangled them with lots of Munchin and a little bit of Phroz.

Next, of course, was shading. Now if you follow me regularly, you probably know of my love affair with pastel pencils. So you think you know what's coming, but no.... this was not shaded with pastel pencils. I used Prismacolor pencils and blended them with a tortillion dipped in Gamsol odorless mineral spirits. It was the first time I've used this method, and I'm happy to say that it worked really well! In the past, the few times I've used colored pencils, I blended by layering and layering and layering and going over and over and over it with a colorless blender. Maybe some of you like that way of doing things, but I found it to be very long and very tedious and very tiring on my hand. Using the mineral spirits was so much more up my alley, much quicker and much easier on my hand. It may have been my first time using this method, but it won't be the last, as you'll see in my next tile.

I love the way the white parts of the background make this tile appear to be glowing.

Next up was a pinkish-purplish tile.

I wanted to give this one a more organic look and used Flux (one of my go-to tangles recently) and Betweed.

As I said, I again used Prismacolor pencils and mineral spirits for shading this.

I added some sparkle to it by applying a clear Stardust gelly roll pen over the shading in the Flux, but you can't even see a hint of that in the above picture, so I took a closeup at an angle to show you the sparkle.

The last tile I have to share with you for now has shades of yellow, orange, and green.

I used a stencil from Acadia Laser Creations for this one. Since it is more earth-toned, I tangled with a brown Micron. It took me awhile to decide how many patterns to include and which parts of the stencil should be tangled with which pattern. This is what I ended up with, Knightsbridge and Baton.

 

Then I agonized over what materials to use for color, and after testing several things, I went with Tombow markers to fill in some areas, but no shading on this one.

I am liking this tile more than I expected to as I worked on it. Always a pleasant surprise when that happens.

Remember, if you're thinking about trying out some of these new tiles for you own tangling, you can still get 10% off until the 18th by using the code NEWCOLOR in my Etsy shop.

 

 

Renaissance Faire

"Simplicity is the ultimate sophistication."      Leonardo da Vinci

Here is a piece I completed recently on tan-colored Stonehenge paper. I really enjoy working on that paper because of how nicely and easily you can shade on it with a tortillion. In my opinion, the shading is much smoother than on the Renaissance tiles from Zentangle.com. 

Patterns used: Henna Drum, Mooka, Steffi, Flux, Printemps, Flowtus and Tipple

I absolutely love the way this turned out. And what a difference the shading (with brown pastel pencil) and highlighting (with white pastel pencil) made! I was never a big fan of Mooka, probably because mine just never looked good to me, but here I really like it. Those little flowery things in the upper right are my pattern Steffi from my e-book, Step Out in Style.

Coincidentally, the day after I completed this piece, Cris Letourneau contacted me. She is the author of the Zentangle related books Pattern Play (co-authored with Sonya Yencer) and Made in the Shade. She wanted to know if I'd like to contribute any of my art using pastel pencil shading (since I use that method so often) to a new book she's working on all about tangling on Renaissance tiles and tan-toned papers. (More info on her book at the bottom of this post.) Of course most artists wouldn't pass up a chance to have their work published, so I showed her the piece from above, and then worked on a few more to send to her.

The first one is light and airy with lots of open spaces for shading and highlighting. Completed on a Renaissance tile.

 Patterns used: Joki and Pokeleaf

The next one is more traditional, started with four dots, a border, and a string. Also completed on a Renaissance tile.

 

Patterns used: Cadent, N'zeppel, Leeter and Printemps

I decided to go with color (also pastel pencil) on the next one instead of the brown I usually use. This one is on tan-toned paper from Strathmore.

 

Patterns used:Flux, Sea Wave and orbs

This last one was not one I sent to Cris, but another one done on a Renaissance tile, this one a pre-strung zendala. I used both brown and black Micron pens, along with brown pastel pencil and graphite for shading, and of course the white pastel pencil for highlights.

 

Patterns used: Purk, Baton and Munchin

I have no idea which of these might show up in Cris' new book, but I enjoyed working on them all.

Cris informs me that the title of her new book will be Timeless Tangling: Art Inspired from the Renaissance and Beyond, and the publication date will probably be next summer. In her own words, "This book will be about techniques for working on tan-toned papers, using different tools, and learning some fine-art skills to make your ZIAs even more beautiful. Included will be inspirational art, step-by-step projects, and practical information to help take your tangling to the next level."

I know that I'm looking forward to the book and am confident that it will be just as wonderful as her previous publications!

 

Off the Beaten Path

"Do not go where the path may lead, go instead where there is no path and leave a trail."    Ralph Waldo Emerson

I'm back... with more Zendala pre-strung colored tiles. I had such a great response to the square pre-strung tiles I made, that I decided to create the same tiles as Zendalas. Just very briefly, in case you haven't seen them yet, these are created with alcohol inks on yupo paper and then printed on Bristol vellum, a great surface for tangling. If you missed it, you can read more about the process in my blog from a few months ago.

I will warn you that this is going to be a long post, with lots of photos. Please stick with me to the end.... I don't think you'll be disappointed. I am so excited today to include art work here by my friend, CZT Sonya Yencer. Her tangled pieces are always beautiful, so I asked if she would tangle some of my new Zendala tiles to give you a different perspective on what can be done with them. And she said yes! But first, take a look at some of the Zendalas that I just completed (all include before and after photos, but the befores may not all be turned in the same direction as the afters.)

The first is a multi-colored tile tangled using black micron, stardust gelly rolls, and white gelly roll pen. The patterns used are Antidots, D'rua, Verdigogh, and Tipple. I chose, for the most part, to ignore the pathways and just go for it. I love the coloring in this tile.

The next tile was created in a more monochromatic color scheme. I tangled the pathways using Cadent, but didn't fill in all the paths. Less is very often more, and I have to keep telling myself that. Then I filled in some of the background spaces with Printemps using a white gelly roll pen and a touch of stardust gelly rolls. I kept telling myself, "Don't do it all...don't do it all!"

 

 

Next up is a tile with more earthy tones. So I decided to use a brown micron on this one, with touches of stardust and white gelly roll pens again. At first I wasn't sure that I liked the combination of Munchin and Sand Swirl that I used, but by the time I was done I had changed my mind.

Jumping from earth tones to much brighter pink, purple and blue... on this one I filled some of the background areas with the light and airy patterns N'zeppel and Frost Flower. I added a touch of white highlights using a white pastel pencil, and I ended up liking this one more than I thought I would when I began it.

The last one of my tiles that I have to share with you... for now... is one of the tiles from my gray collection. Just shades of gray in these, no color. That is, until I started tangling. I tangled all the pathways in this one (with variations of the pattern Emingle), using black and red microns, adding shading with graphite and a red pastel pencil. I have grown to love this bristol vellum paper for shading because the pencil smudges so easily with a tortillion.

I've saved the best for last, so please DON'T GO ANYWHERE YET!!!!  Here are three tiles that the very talented Sonya completed, along with a brief description of each, in her own words.

"I was immediately drawn to this one because warm
analogous colors make me so happy! In this instance, I chose to ignore the background shapes and create my image on top. The fall weather appears to have revealed a sunflower-y shape! Materials: black .01 Micron, white Gellyroll, Silver Slicci, and InkTense watercolor pencils."

 

"Love the blend of warm and cool tones on one Zendala! On this one, I wanted to do something bold so I chose a mix of Striping and Pepper to fill a handful of the larger shapes. Sometimes it's hard to know when to stop to achieve the "right" balance of tangled/untangled space. Materials: black .01 Micron, white Gellyroll, InkTense watercolor pencils."

And for Sonya's last Zendala:
 
"This Zendala's bold colors intimidated me at first because I didn't want to "ruin" the background - it was so striking on its own! So I chose a more classic way to approach it, allowing the shapes to be the strings and working inside. I added in tangles breaking free of the strings to add visual interest. The background is filled with Tipple and Printemps. Materials: white Gellyroll, clear Glaze Gellyroll, InkTense watercolor pencils."

Sonya mentioned the Tipple/Printemps background in this one. It's so subtle that you can barely see it in the photo, so here's a closeup. 

I hope that you've been inspired by some of Sonya's and my tiles. Thank you Sonya for allowing me to share your amazing work in my blog! The good news is that these tiles are now available in my Etsy shop here, just in case you'd like to try some for yourself. If you do, I'd love to see what you create with them, so feel free to send me pictures of your art work.... or post them in a Facebook group.... or post them in your own blog... or just keep them to yourself, if you'd rather. Thanks for taking a peek!

Cruise Tangling

"Man cannot discover new oceans unless he has the courage to lose sight of the shore."    Andre Gide

I just returned home from a three week vacation. We cruised northern Europe and then stayed a few days in Bruges, Belgium at the end. I've been on cruise ships before, and I've traveled around Europe before, and both the ships and the cities I've visited have always been chock full of patterns to inspire any tangler. Well, this cruise ship and these European destinations were no different. First I will share photos of some of the patterns I encountered.

 I can't remember what this is, but it reminds me of a Knightsbridge tangleation:

  Some carpet doing the Diva Dance:

  Tile flooring:

Colorful design inspiration on a store window:

 This was the wall in one of the restaurants. I have a feeling this is already a named pattern, but I can't think of what it is. And if it's not, it should be!

 The pattern on a sofa in our hotel in Bruges:

A lampshade:

Tile design on the ground in a plaza in Bruges:

 

 

Munchin-like carpet:

Tippled glass lamp shade:

Hollibaugh etched glass in the pool area on the ship:

 Tipple all lined up. Can't remember where this was taken:

Carpet on the ship:

More Hollibaugh on the ship's carpet:

More Diva Dance on a metal sculpture of a cello:

How would you like some of this carpet in your home?

More carpet designs. This reminds me of a combination of N'zeppel and Printemps:

 Some zendala inspiration from a lace curtain:

From the number of photos I took (more than 2200), you wouldn't think there would be time for much else. However, I also did a bit of tangling while traveling, mostly on the days we were at sea without stopping at a port. I'll share just a little of what I did here, and will roll out some of my other pieces in additional blog posts over the next week or two. I had brought along a few pre-strung official Zentangle tiles, and I'll start with those. 

 Patterns used: Cubine, Dex, Florz, and Paradox

 Patterns used: Knightsbridge, Sand Swirl, Navaho, Brit, Munchin, Baton, and Betweed.

 

 Patterns used: Hollibaugh, Hibred, Ginili, and some lines

I'm not in love with any of these tiles, but they're okay and they did provide some good relaxation. And, after all, isn't that what Zentangle is really all about? I enjoy using the pre-strung tiles so that no thinking is involved. No debating about how to draw the string, which, although it seems like it should be such an easy thing, often gets me hung up. If you haven't tried the pre-strung tiles yet, or are in need of some more, you can find them in my Etsy shop here. 

I'll be back with another post soon to share some more of my cruise tangling. Hope you'll be back too!