There's No Place Like Home

"A man travels the world over in search of what he needs and returns home to find it."      George A. Moore

The Diva's challenge this week is to create a tile that reflects your home in some way. We recently purchased a summer home in the mountains of NC and this is my first summer here. So I chose to use this home as my inspiration. 

First I drew a string to represent the mountains. I used bristol vellum paper, a green micron, and 3 different shades of green pastel pencils for shading. As a finishing touch I added some Msst (with gray pen) to show all the rain we've had here, which is why everything is SO green. I wish I had remembered to take a picture before I shaded. Besides the Msst, the tangles used are N'zeppel, Sea Wave, Leeter, Fallen Leaves, and Shattuck.

Hope you are all enjoying your summer (or winter, depending where you are.) I'm loving the cool mountain air!

 

New Color Tiles

"Color! What a deep and mysterious language, the language of dreams."   Paul Gauguin

I'm very excited about the new line of tiles I'm introducing. About six months ago I started selling what I call my pre-strung pathway tiles. They are made with alcohol inks which form pathways for tangling, or tangling between, or tangling over, whichever you prefer. They were so well received by all of you, that I started thinking about making more tiles with alcohol inks, but different from the others. And thus were born these tiles that I am introducing now.

The difference is that my new tiles don't have pathways. They just having interesting colors and designs that meander and mix and flow all over the place. You can use the designs that the inks make to define the spaces you want to tangle, or you can just tangle over the whole background however you want. The unpredictable nature of the inks is what gives such an interesting look to the tiles. 

Here is my first example of a tile.  

 I decided to outline some of it first.

And then fill that area with tangles (N'zeppel, Diva Dance, and Btl Joos.) I used some pastel pencils for shading to add extra color. It's kind of a weird and wacky piece.

Here's the next tile I chose. I love the combination of pink, purple, and teal in this one.

I let the colors serve as an overall background this time, and tangled some Garlic Cloves, Pais, and Tipple. I love the way it turned out (all those soothing lines!) and thought that it looked best turned like this.

I used pastel pencils (of course) to add shading and give it a more 3D look. I matched the shading to the color in the background, using pink, purple, and teal. A touch of highlighting was added with white in the centers of the petals.

The next tile has a more textured look to it.

When I saw the tile turned sideways, it reminded my of the ocean (good imagination), so I thought of the pattern Sea Wave.

I added some Henna Drum flowers to it.

And then added shading, again, with pastel pencils.

Love this one too. The great colors and textures on the tiles make it almost impossible to end up with something I really don't like.

I was going to end my post there, but I did another tile that I really like, so I'm adding it here. Untangled tile...

Tangled with Sand Swirl, Meer, Florz, and Maryhill.

The shading didn't show up in this picture as well as I would have liked, but here it is...

I've had so much fun playing with the alcohol inks and coming up with these new tiles. Although they look very different than my pathway tiles, the thing that is the same about them is the process: designed with alcohol inks on yupo, then printed on bristol vellum paper and cut into 4 inch tiles. I love the slightly larger size of the tiles compared to traditional Zentangle tiles, and I love the vellum surface for tangling with Microns and shading with most anything. 

If you'd like to take a look at more of these tiles, or the pre-strung pathway tiles, you can check them out in my Etsy shop here. They are available in both square tiles and Zendalas. As an introductory offer, if you order any of these new tiles between now and January 18th, you can use the code NEWCOLOR to get 10% off. I'll be back soon with a post showing you some of my new tangled Zendalas. 

Thanks for stopping by and taking a look!

Renaissance Faire

"Simplicity is the ultimate sophistication."      Leonardo da Vinci

Here is a piece I completed recently on tan-colored Stonehenge paper. I really enjoy working on that paper because of how nicely and easily you can shade on it with a tortillion. In my opinion, the shading is much smoother than on the Renaissance tiles from Zentangle.com. 

Patterns used: Henna Drum, Mooka, Steffi, Flux, Printemps, Flowtus and Tipple

I absolutely love the way this turned out. And what a difference the shading (with brown pastel pencil) and highlighting (with white pastel pencil) made! I was never a big fan of Mooka, probably because mine just never looked good to me, but here I really like it. Those little flowery things in the upper right are my pattern Steffi from my e-book, Step Out in Style.

Coincidentally, the day after I completed this piece, Cris Letourneau contacted me. She is the author of the Zentangle related books Pattern Play (co-authored with Sonya Yencer) and Made in the Shade. She wanted to know if I'd like to contribute any of my art using pastel pencil shading (since I use that method so often) to a new book she's working on all about tangling on Renaissance tiles and tan-toned papers. (More info on her book at the bottom of this post.) Of course most artists wouldn't pass up a chance to have their work published, so I showed her the piece from above, and then worked on a few more to send to her.

The first one is light and airy with lots of open spaces for shading and highlighting. Completed on a Renaissance tile.

 Patterns used: Joki and Pokeleaf

The next one is more traditional, started with four dots, a border, and a string. Also completed on a Renaissance tile.

 

Patterns used: Cadent, N'zeppel, Leeter and Printemps

I decided to go with color (also pastel pencil) on the next one instead of the brown I usually use. This one is on tan-toned paper from Strathmore.

 

Patterns used:Flux, Sea Wave and orbs

This last one was not one I sent to Cris, but another one done on a Renaissance tile, this one a pre-strung zendala. I used both brown and black Micron pens, along with brown pastel pencil and graphite for shading, and of course the white pastel pencil for highlights.

 

Patterns used: Purk, Baton and Munchin

I have no idea which of these might show up in Cris' new book, but I enjoyed working on them all.

Cris informs me that the title of her new book will be Timeless Tangling: Art Inspired from the Renaissance and Beyond, and the publication date will probably be next summer. In her own words, "This book will be about techniques for working on tan-toned papers, using different tools, and learning some fine-art skills to make your ZIAs even more beautiful. Included will be inspirational art, step-by-step projects, and practical information to help take your tangling to the next level."

I know that I'm looking forward to the book and am confident that it will be just as wonderful as her previous publications!