Here is a piece I completed recently on tan-colored Stonehenge paper. I really enjoy working on that paper because of how nicely and easily you can shade on it with a tortillion. In my opinion, the shading is much smoother than on the Renaissance tiles from Zentangle.com.
Patterns used: Henna Drum, Mooka, Steffi, Flux, Printemps, Flowtus and Tipple
I absolutely love the way this turned out. And what a difference the shading (with brown pastel pencil) and highlighting (with white pastel pencil) made! I was never a big fan of Mooka, probably because mine just never looked good to me, but here I really like it. Those little flowery things in the upper right are my pattern Steffi from my e-book, Step Out in Style.
Coincidentally, the day after I completed this piece, Cris Letourneau contacted me. She is the author of the Zentangle related books Pattern Play (co-authored with Sonya Yencer) and Made in the Shade. She wanted to know if I'd like to contribute any of my art using pastel pencil shading (since I use that method so often) to a new book she's working on all about tangling on Renaissance tiles and tan-toned papers. (More info on her book at the bottom of this post.) Of course most artists wouldn't pass up a chance to have their work published, so I showed her the piece from above, and then worked on a few more to send to her.
The first one is light and airy with lots of open spaces for shading and highlighting. Completed on a Renaissance tile.
Patterns used: Joki and Pokeleaf
The next one is more traditional, started with four dots, a border, and a string. Also completed on a Renaissance tile.
Patterns used: Cadent, N'zeppel, Leeter and Printemps
I decided to go with color (also pastel pencil) on the next one instead of the brown I usually use. This one is on tan-toned paper from Strathmore.
Patterns used:Flux, Sea Wave and orbs
This last one was not one I sent to Cris, but another one done on a Renaissance tile, this one a pre-strung zendala. I used both brown and black Micron pens, along with brown pastel pencil and graphite for shading, and of course the white pastel pencil for highlights.
Patterns used: Purk, Baton and Munchin
I have no idea which of these might show up in Cris' new book, but I enjoyed working on them all.
Cris informs me that the title of her new book will be Timeless Tangling: Art Inspired from the Renaissance and Beyond, and the publication date will probably be next summer. In her own words, "This book will be about techniques for working on tan-toned
papers, using different tools, and learning some fine-art skills to make your
ZIAs even more beautiful. Included will be inspirational art, step-by-step
projects, and practical information to help take your tangling to the next
level."
I know that I'm looking forward to the book and am
confident that it will be just as wonderful as her previous
publications!
