Emily Giffin
It's been a long while since I tangled in my toned paper sketchbooks, so I decided to pull out the gray paper. I always love the way the black pen looks on the paper with white highlights. For my first ZIA I decided to go organic. If anyone knows the name and creator of the main leafy tangle here, please let me know. I have the pattern in my collection, but never knew who to credit. I added some Printemps and B'Dylan to the unnamed pattern, then drew highlights with a combination of white charcoal pencil and white Prismacolor pencil. A little bit of graphite shading and voila! I was VERY happy with the completed piece.
I started this second one with some Tripoli. I could never get the hang of Tripoli until we did an exercise with it at Tangle U last spring. Now I'm okay with it as long as I don't get stressed over the fact that they don't all come out perfectly even and lined up. As a matter of fact, I made a "mistake" in my Tripoli, so I repeated the "mistake" so it wouldn't be the only one. Since Tripoli is all triangles, I decided to stay with the triangle theme, adding some Fassett by Lynn Mead, and Z-Trik by Yamit Fridman, both of which are based on triangles. Again I used the white pencils for highlights and graphite for shading to finish it off.
The white makes the patterns really pop on the toned papers. I must remember to pull out these sketchbooks more often!
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