Introducing my New Tiles!

"Every production of an artist should be the expression of an adventure of his soul."     W. Somerset Maugham

Hooray! The day has finally arrived when I can officially introduce my new tiles to you. You may have noticed over the last couple of months that I have been sharing a lot of my work on colored tiles. I've been developing this new line of tiles for a long time, and I'd hoped to have these ready a while ago, but life kind of got in the way! The tiles are now in my Etsy shop, but let me tell you a little about them. Warning: This will be a long post with lots of pictures.

I love playing with alcohol inks. I'm not very good at creating anything realistic with them, but boy do they make great backgrounds for tangling. I start with alcohol inks on yupo paper, play with them, manipulate them, and let them do their own thing. Beautiful designs emerge for tangling. I scan them and print them on Bristol vellum paper and cut them into 4 inch tiles, as well as Zendala tiles. But then I decided to take it one step further. I began editing the backgrounds in Photoshop and wow! Amazing special effects were created - waves, spirals, pond ripples, geometrics, zig-zags, etc. The possibilities are endless, and addictive too! So, after many, many hours of playing, I have created hundreds of new tiles to add to my Etsy shop. 

So let me share a few more with you now. 

Before...

And after...
 

 Before...

And after...
 

 Before... 

And after...

Zendala before... 

Zendala after...
 

Then I designed some with geometric shapes, but since these were so different than the others I decided to make them a separate group and listing in my shop.

Before... 

After...
 

Before...

After... 
 

But that's not all! I decided to also make these designs into digital papers for crafters to use in so many different ways: scrapbooking, invitations, origami, and on and on. Here are some samples of the papers...

And just when you thought I was finished... No! I also made these into lined papers for writing and journaling. Some examples here...

NOW I'm finished. That's all I've done....square tiles, zendala tiles, geometric tiles, digital papers, and lined digital papers. If you'd like to check them out in my Etsy shop, go here. (Where you will also find my pre-strung pathway tiles!) You'll be able to see many more of the tile designs in my shop photos, although not nearly all of the designs I have.

If you have tangling friends and family, or other crafty friends and family, or writing friends and family, I would be most grateful if you'd pass my shop information on to them.

And of course, if you decide to try any of these for yourself, I would LOVE to see what you do with them!

Waybop

"One sure-fire way to stay creative: force yourself to learn something new."      Harvey MacKay

The Diva's challenge this week is to use the new pattern from Zentangle headquarters, Waybop. When I first saw this tangle, I have to admit that I didn't much like it, so I didn 't bother to try it. After seeing so many people posting their Waybop creations on Facebook, I decided, for the Diva, I would give it a go. 

The first one I did on one of my colored tiles... here's the picture of the tile before rounding the corners. 

I started with Waybop, Henna Drum and some lines. Then, using a gray pen, I added Printemps inside the Waybop. I've recently started using the gray pen as a way to add more subtle designs. The finishing touches were shading with graphite and pastel pencil, and white gel pen for some extra interest.

Waybop wasn't as bad as I thought it would be, so I decided to go ahead and do one more, this time on gray-toned paper from Strathmore. Also included are Pais, Purk, and Hollibaugh.

And of course some shading and white highlights, which always make a drawing on gray paper better, whether or not you like it to begin with.
 

I like Waybop more than I expected to, but it's not yet high on my list of favorites. Maybe after more practice, maybe not!

 

New Color Tiles

"Color! What a deep and mysterious language, the language of dreams."   Paul Gauguin

I'm very excited about the new line of tiles I'm introducing. About six months ago I started selling what I call my pre-strung pathway tiles. They are made with alcohol inks which form pathways for tangling, or tangling between, or tangling over, whichever you prefer. They were so well received by all of you, that I started thinking about making more tiles with alcohol inks, but different from the others. And thus were born these tiles that I am introducing now.

The difference is that my new tiles don't have pathways. They just having interesting colors and designs that meander and mix and flow all over the place. You can use the designs that the inks make to define the spaces you want to tangle, or you can just tangle over the whole background however you want. The unpredictable nature of the inks is what gives such an interesting look to the tiles. 

Here is my first example of a tile.  

 I decided to outline some of it first.

And then fill that area with tangles (N'zeppel, Diva Dance, and Btl Joos.) I used some pastel pencils for shading to add extra color. It's kind of a weird and wacky piece.

Here's the next tile I chose. I love the combination of pink, purple, and teal in this one.

I let the colors serve as an overall background this time, and tangled some Garlic Cloves, Pais, and Tipple. I love the way it turned out (all those soothing lines!) and thought that it looked best turned like this.

I used pastel pencils (of course) to add shading and give it a more 3D look. I matched the shading to the color in the background, using pink, purple, and teal. A touch of highlighting was added with white in the centers of the petals.

The next tile has a more textured look to it.

When I saw the tile turned sideways, it reminded my of the ocean (good imagination), so I thought of the pattern Sea Wave.

I added some Henna Drum flowers to it.

And then added shading, again, with pastel pencils.

Love this one too. The great colors and textures on the tiles make it almost impossible to end up with something I really don't like.

I was going to end my post there, but I did another tile that I really like, so I'm adding it here. Untangled tile...

Tangled with Sand Swirl, Meer, Florz, and Maryhill.

The shading didn't show up in this picture as well as I would have liked, but here it is...

I've had so much fun playing with the alcohol inks and coming up with these new tiles. Although they look very different than my pathway tiles, the thing that is the same about them is the process: designed with alcohol inks on yupo, then printed on bristol vellum paper and cut into 4 inch tiles. I love the slightly larger size of the tiles compared to traditional Zentangle tiles, and I love the vellum surface for tangling with Microns and shading with most anything. 

If you'd like to take a look at more of these tiles, or the pre-strung pathway tiles, you can check them out in my Etsy shop here. They are available in both square tiles and Zendalas. As an introductory offer, if you order any of these new tiles between now and January 18th, you can use the code NEWCOLOR to get 10% off. I'll be back soon with a post showing you some of my new tangled Zendalas. 

Thanks for stopping by and taking a look!

Renaissance Faire

"Simplicity is the ultimate sophistication."      Leonardo da Vinci

Here is a piece I completed recently on tan-colored Stonehenge paper. I really enjoy working on that paper because of how nicely and easily you can shade on it with a tortillion. In my opinion, the shading is much smoother than on the Renaissance tiles from Zentangle.com. 

Patterns used: Henna Drum, Mooka, Steffi, Flux, Printemps, Flowtus and Tipple

I absolutely love the way this turned out. And what a difference the shading (with brown pastel pencil) and highlighting (with white pastel pencil) made! I was never a big fan of Mooka, probably because mine just never looked good to me, but here I really like it. Those little flowery things in the upper right are my pattern Steffi from my e-book, Step Out in Style.

Coincidentally, the day after I completed this piece, Cris Letourneau contacted me. She is the author of the Zentangle related books Pattern Play (co-authored with Sonya Yencer) and Made in the Shade. She wanted to know if I'd like to contribute any of my art using pastel pencil shading (since I use that method so often) to a new book she's working on all about tangling on Renaissance tiles and tan-toned papers. (More info on her book at the bottom of this post.) Of course most artists wouldn't pass up a chance to have their work published, so I showed her the piece from above, and then worked on a few more to send to her.

The first one is light and airy with lots of open spaces for shading and highlighting. Completed on a Renaissance tile.

 Patterns used: Joki and Pokeleaf

The next one is more traditional, started with four dots, a border, and a string. Also completed on a Renaissance tile.

 

Patterns used: Cadent, N'zeppel, Leeter and Printemps

I decided to go with color (also pastel pencil) on the next one instead of the brown I usually use. This one is on tan-toned paper from Strathmore.

 

Patterns used:Flux, Sea Wave and orbs

This last one was not one I sent to Cris, but another one done on a Renaissance tile, this one a pre-strung zendala. I used both brown and black Micron pens, along with brown pastel pencil and graphite for shading, and of course the white pastel pencil for highlights.

 

Patterns used: Purk, Baton and Munchin

I have no idea which of these might show up in Cris' new book, but I enjoyed working on them all.

Cris informs me that the title of her new book will be Timeless Tangling: Art Inspired from the Renaissance and Beyond, and the publication date will probably be next summer. In her own words, "This book will be about techniques for working on tan-toned papers, using different tools, and learning some fine-art skills to make your ZIAs even more beautiful. Included will be inspirational art, step-by-step projects, and practical information to help take your tangling to the next level."

I know that I'm looking forward to the book and am confident that it will be just as wonderful as her previous publications!

 

New Tangles and New Studio

"The coolest things in life are things that you have not done before. That's the key to life: new things always."      Afrojack

 I haven't been tangling a lot the past couple of weeks. I've been busy setting up my new studio space. With the help of my husband, I converted our sunroom into a dedicated art space. I love it! I'll add some photos at the end of this post.

In my last post, I mentioned how I was going to write about creating tiles where I used a "new to me" pattern in each one. But I got sidetracked with Jaysix. Now I'm back to show you some of those tiles I did with new patterns. In this first tile I used Borbz (the one on the diagonal), and added some Phicops and Bunzo. I enjoyed doing Borbz and am happy with the way this turned out.

Next I pulled out a pre-strung Renaissance Zendala tile. I haven't used one of those in forever. It was my first time with Peaks Border, which I used around the outside, and then added Munchin in the whole center area, and some Henna Drum flowers. Of course I shaded and added white highlights which are so important (at least to me) when working on tan tiles or paper. I love the contrast between the tan, brown, black, and white.

The tile below was completed a couple of weeks after the first tile above, and when I looked back afterwards I realized I had used Bunzo in both tiles. Guess that shows how much I like that pattern! But the tangle that was new to me in this one is Biscus, in the center. And I threw in some Zingers for fun.

Time for another one of my Dylusions painted tiles. Here's the before.

And the after, where I used mmmforestry (for the first time) along the sides, and added some Rixty. I decided to leave this one light and airy to let the beautiful colors shine through.

Well, that's it for my tiles. Now for my studio. I now have space not only to tangle (on my new drafting table that tilts up so I don't strain my neck), but I also have space to do the messy stuff like painting and inking, without worrying about ruining our new kitchen table. And without having to worry about setting up and putting away all those supplies every time I feel like doing something messy.

And did I mention that there are walls of windows on 3 sides of the room for some amazing light for working? And the wonderful view I sit and look at (whenever I look up from my paper)?
 

The studio has only been complete for a couple of days, but it's such a great space! Have I said how much I love it?

 

Here, There and Everywhere

"Well, as you can plainly see, the possibilities are endless like meandering paths in a great big beautiful garden."    William S. Burroughs

The Diva's challenge this week is to use the newly released tangle pattern called Molygon. I had a lot of fun with this pattern and just kept wanting to try something different, so I'm sharing a number of my experiments here.

On this first one I just let my Molygon wander around, and instead of filling the segments with anything, I only shaded. Using graphite on the top section, I followed the design down with a few different colored pastel pencils for the shading. The blue part was really a little more towards the color teal, but this is the best I could get when scanning it.

Next I used a piece of Stonehenge paper that has a slightly grey tone. I added some striping to Molygon and then some Flux. Shading and white highlights finished it off.

I've seen some tanglers who tangle tiny, but that's not me. I can't work tiny -- it bothers my eyes. So I knew there wouldn't be any fill inside the following one. I just shaded and added some darker outlining to some of them to give it a little more contrast.

I drew my next Molygon larger so I'd have space to add fill.

Then I wanted to try adding some color, so using my Tombow brush markers, here is what I did. Again, the colors didn't translate as well as I would have liked, and what looks pink here is really more coral colored. Something about the colors in this one makes me happy... minus the stray marker line.

Then I said to myself, "Just one more!" In all of the above drawings my Molygon segments have a bit of space between them. I wanted to try one where they were spaced closer together. And I wanted it to be really different, so I did this one with white pen on black, and added some Printemps and Zinger. The segments are closer, but I had to concentrate on each one... for some reason my hand just wanted to leave more space. This one may be my favorite one of all. 

Molygon was such a fun tangle to play with. It's really easy to draw, and you can let it meander here and there and all over the place. Leave it empty and just shade, add tangles within, add tangles among the segments.... whatever you do, it looks great!