Showing posts with label emingle. Show all posts
Showing posts with label emingle. Show all posts

Tuesday, October 18, 2016

Off the Beaten Path

"Do not go where the path may lead, go instead where there is no path and leave a trail."    Ralph Waldo Emerson

I'm back... with more Zendala pre-strung colored tiles. I had such a great response to the square pre-strung tiles I made, that I decided to create the same tiles as Zendalas. Just very briefly, in case you haven't seen them yet, these are created with alcohol inks on yupo paper and then printed on Bristol vellum, a great surface for tangling. If you missed it, you can read more about the process in my blog from a few months ago.

I will warn you that this is going to be a long post, with lots of photos. Please stick with me to the end.... I don't think you'll be disappointed. I am so excited today to include art work here by my friend, CZT Sonya Yencer. Her tangled pieces are always beautiful, so I asked if she would tangle some of my new Zendala tiles to give you a different perspective on what can be done with them. And she said yes! But first, take a look at some of the Zendalas that I just completed (all include before and after photos, but the befores may not all be turned in the same direction as the afters.)

The first is a multi-colored tile tangled using black micron, stardust gelly rolls, and white gelly roll pen. The patterns used are Antidots, D'rua, Verdigogh, and Tipple. I chose, for the most part, to ignore the pathways and just go for it. I love the coloring in this tile.




The next tile was created in a more monochromatic color scheme. I tangled the pathways using Cadent, but didn't fill in all the paths. Less is very often more, and I have to keep telling myself that. Then I filled in some of the background spaces with Printemps using a white gelly roll pen and a touch of stardust gelly rolls. I kept telling myself, "Don't do it all...don't do it all!"


 


Next up is a tile with more earthy tones. So I decided to use a brown micron on this one, with touches of stardust and white gelly roll pens again. At first I wasn't sure that I liked the combination of Munchin and Sand Swirl that I used, but by the time I was done I had changed my mind.



Jumping from earth tones to much brighter pink, purple and blue... on this one I filled some of the background areas with the light and airy patterns N'zeppel and Frost Flower. I added a touch of white highlights using a white pastel pencil, and I ended up liking this one more than I thought I would when I began it.



The last one of my tiles that I have to share with you... for now... is one of the tiles from my gray collection. Just shades of gray in these, no color. That is, until I started tangling. I tangled all the pathways in this one (with variations of the pattern Emingle), using black and red microns, adding shading with graphite and a red pastel pencil. I have grown to love this bristol vellum paper for shading because the pencil smudges so easily with a tortillion.




I've saved the best for last, so please DON'T GO ANYWHERE YET!!!!  Here are three tiles that the very talented Sonya completed, along with a brief description of each, in her own words.

"I was immediately drawn to this one because warm
analogous colors make me so happy! In this instance, I chose to ignore the background shapes and create my image on top. The fall weather appears to have revealed a sunflower-y shape! Materials: black .01 Micron, white Gellyroll, Silver Slicci, and InkTense watercolor pencils."

 



"Love the blend of warm and cool tones on one Zendala! On this one, I wanted to do something bold so I chose a mix of Striping and Pepper to fill a handful of the larger shapes. Sometimes it's hard to know when to stop to achieve the "right" balance of tangled/untangled space. Materials: black .01 Micron, white Gellyroll, InkTense watercolor pencils."





And for Sonya's last Zendala:
 
"This Zendala's bold colors intimidated me at first because I didn't want to "ruin" the background - it was so striking on its own! So I chose a more classic way to approach it, allowing the shapes to be the strings and working inside. I added in tangles breaking free of the strings to add visual interest. The background is filled with Tipple and Printemps. Materials: white Gellyroll, clear Glaze Gellyroll, InkTense watercolor pencils."





Sonya mentioned the Tipple/Printemps background in this one. It's so subtle that you can barely see it in the photo, so here's a closeup. 



I hope that you've been inspired by some of Sonya's and my tiles. Thank you Sonya for allowing me to share your amazing work in my blog! The good news is that these tiles are now available in my Etsy shop here, just in case you'd like to try some for yourself. If you do, I'd love to see what you create with them, so feel free to send me pictures of your art work.... or post them in a Facebook group.... or post them in your own blog... or just keep them to yourself, if you'd rather. Thanks for taking a peek!


Thursday, October 15, 2015

Tangling Tempting Templates

"A work of art is the unique result of a unique temperament."    Oscar Wilde

It was time for tangling some more templates from Ben
Kwok. If you're not familiar with him, check out his Facebook group "Ornation Creation." Each week he posts a different template for your tangling enjoyment.


This first one is, obviously, a jellyfish. I decided to use some new Stonehenge paper that I bought, and this is the color they call Fawn. I knew it would be great for drawing with my brown micron pens and adding highlights. Of course my intention was to show you a photo before I did any shading, but in my excitement to get started (because the shading is what brings it to life), I forgot to get a picture. Luckily I caught myself before I got very far, so here you see just the very beginnings of the shading.

 Patterns used: Papyrus, Printemps, Betweed

As you can tell in the following photo, the shading and highlighting, which I did with my pastel pencils, makes such a huge difference in the look. I think the shading in this one took longer than the tangling did, but it was well worth it!



Here's another one of Ben's templates... one of my favorite foods!


Patterns used: Navaho, Emingle, Static, N'zeppel, Crescent Moon, Heartstrings, Prestwood, Munchin, Paizel, Printemps, and some line work

And again with shading...



Next time I'm in the mood for template tangling (try saying that 5X fast!) I know there are LOTS more templates waiting for me over on Ben's Facebook group.

 

Friday, November 28, 2014

Thinking Inside the Grid

"Success is due to our stretching to the challenges of life. Failure comes when we shrink from them."    John C. Maxwell

This week's Diva challenge is from guest blogger Sandy Hunter, CZT. Her challenge is to use a grid-based pattern and take it out of the grid, or take a free-form pattern and put it into a grid. When I think about tangleations (variations) that I can make from a certain pattern, I often think about taking it out of the grid and have done this in the past with several patterns. However, I don't think I've ever taken a free-form pattern and put it into a grid. As soon as I saw Sandy's challenge I knew I was going to have fun with this one.

In my first tile I began with Rixty... definitely NOT a grid pattern. But it is here.



I extended a few of the "tails" of Rixty out and around to meet another "tail". Then I filled those areas with Crescent Moon. Next I took Emingle out of the grid and added it to some of the outer areas, drawing random Emingle shapes.

For my next tile I started with Sand Swirl, by Karry Heun. I love this pattern as the free-form pattern it was meant to be, and I LOVE the way it looks in a grid. I expect that I will be using it that way again. Then I drew Nipa, another free-form pattern, in a grid, alternating directions of the curves. Knightsbridge was the finishing touch I added to the tile.


This was a fun challenge, and definitely gets you thinking in new ways, allowing for lots of creativity. Thanks Sandy!