Wide Open Spaces

"The eternal silence of these infinite spaces frightens me."   Blaise Pascal

It's been a while since I've posted anything here. I've been so busy working on my book that I haven't been doing much else Zentangle related. In case you didn't hear, I'm publishing an e-book containing over 40 new tangle patterns. My target date is the first week of March to have the book available, but we'll see if I can do it, or if life gets in the way. I'm so close, and so excited!

This week the Diva's challenge called out to me so I decided to make some time for it. And I killed two birds with one stone by including one of my new tangles so I can use this tile in my book also.The challenge was to leave open white space. This is something that I love when I see it in other people's work, but find it so hard to do. If I see a space I need to tangle it. Someone stop me!

Here is my tile. I really love the white space and must force myself to do it more often.

Now back to my book. I'll let you all know when it's ready.

Time For a New Shirt

Grandchildren are the dots that connect the lines from generation to generation.

Lois Wyse

Read more at http://www.brainyquote.com/quotes/quotes/l/loiswyse399215.html#6zqoEewHMiYEV6dV.99

"Grandchildren are the dots that connect the lines from generation to generation."

 Lois Wyse

  

I've been thinking about tangling a t-shirt for a long time, but just kept putting it off. Finally I picked up a shirt when I was at a store recently, and one for my grandson also. I figured if I did his shirt first it would not take as long (he's not quite 2 years old, so his shirt is much smaller than mine) and would be a good way to test out the process and decide if I want to do more. My first thought was to do a cute picture of something, but since I can't draw and I don't have any appropriate stencils, I settled on just drawing some squares (which I do have a stencil for). Here's how the shirt started out.

Using a Pentel gel roller for fabric, I tangled the squares. The pen is wonderful! It makes a nice dark line without much effort. The only problem is that I think it will run out of ink fairly quickly, which is why I bought several of them before I even began. It's no fun when you run out of supplies in the middle of a project. I used a Fabrico gray marker to do a little shading. 

Here's a closeup picture so that you can see the tangles a little better. 

Now the best picture of all. My grandson, Hudson, modeling the shirt. My totally unbiased opinion is that he looks adorable in his new shirt! And when he returns home to Mississippi after the weekend (if I don't kidnap him first), he will undoubtedly be the envy of all his day care buddies. 

Black and White

"There's something really appealing about the simplicity of black - and - white images."  
Joseph Gordon - Levitt

I'm sure I've said it here before, but I'll say it again. I'm a big fan of contrast. Most of my Zentangle work has at least some black areas. You won't find a lot of pieces in my portfolio that are light and airy. There may be some sections that are light and airy, but almost always there will be dark areas to balance it. I see plenty of work by others that are light and airy and beautiful, but it's just not my style of tangling. That's one of the things that drew me to Zentangle - the stark contrast between black and white. 

So this week I decided to play around with lots of contrast by creating a Zentangle made solely from variations on a theme - that theme being the tangle pattern Knightsbridge. There are endless ways to vary the pattern to give it very different looks. Here I began by drawing the two diagonals in my square, and then used a different variation in each of the four triangular spaces. I will admit (but don't tell anyone) that I used a ruler to draw some of the lines, mostly in that bottom triangle. This is what I ended up with, and I must say that I love its boldness.

Now I am a big fan of shading, and shade everything I make, but my inclination was not to do any shading on here so that it would retain its stark simplicity. But after thinking on it a little, I decided to go ahead and add some after first taking a picture. Below is what it looks like after shading. I really like it both ways.

What do you think? Better with or without shading? I'd love to hear what your thoughts are!

What Goes Around...Comes Around

"Art is the only way to run away without leaving home."  Twyla Tharp

It's been a while since I did the Zendala dare, and I like the template this week so I decided to jump in. I pulled out my Strathmore toned paper, thinking I'd use the tan paper, but changed my mind and used the gray instead since I've done very little on the gray. I try to remember to scan my design before shading it, although I admit that doesn't always happen. Today I did remember, so here is my Zendala without any shading.

Next I used pencil to shade. It never fails to amaze me what a difference some pencil shading makes in a piece. 

Then I used a white charcoal pencil to add highlights. Even more amazing what those highlights do for it. 

I'm pretty happy with the results, though I'm not sure if I should have blackened in the center spot. But I do have to say that I think I like the tan paper better than the gray. I'm not sure why, especially since I have gray paint on some of the walls in my house and I don't usually like tan in clothes, walls, or anything else. I guess Zentangles are the one thing that goes better with tan for me.

The Power of Gold

"Make new friends but keep the old. One is silver and the other is gold."  Author unknown.

I'm in the process of publishing an e-book of all new tangles that I have designed, along with some from guest contributors. It has been taking up a LOT of my time, but I'm really enjoying the process. My goal is to have it ready for my Etsy shop sometime next month. With all my time and energy being spent on that, I haven't been doing a lot of tangling just for relaxation. So I stepped away from my pattern sketchbook this morning to simply tangle.

I had been wanting to test out some new "pens" I got recently, so I figured this was my opportunity. I'm talking about the Sakura pen-touch metallic ink markers. I was told that they work great on black tiles/paper, so that's what I wanted to see. The picture below was my first try, on an official Zentangle tile. I used the gold, silver, and copper markers in the extra fine point. While not as fine a point as the Microns I usually use, they were thin enough to draw nice detailed lines. I love how all three colors look on the black. For shading just a touch, I used the zenstone, recently introduced by Zentangle.com, but I wasn't too excited by the way it looked with the metallic markers.

Next I decided to try one more, so I pulled out a black "tag" from Ranger. I stuck to just one color on this design - the gold. It has a very rich look on the black. The paper is smoother than the Zentangle tiles, and again the markers worked beautifully. For this one, I used Derwent metallic watercolor pencils (without the water), to do the shading. I think it was a much better match than the zenstone.

 

I also have a couple of the markers in a fine tip, which are great for filling in larger areas, but I didn't use them for anything on these pieces. Although I'm not totally satisfied with either of my designs, my objective was to try out the markers, so that I did, and I'm very happy with the way they look. I will definitely be using them again.

Now back to my sketchbook...